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Integrate your editing workflow with your color grading tools. Move projects seamlessly between Adobe Premiere Pro and SpeedGrade CC. Easily adjust cuts or fine-tune grades to work on details more quickly and finish your projects faster.
Create and save as many masks as you need within a single .Look file for an easier color grading workflow. Simply add masks to individual layers within your grading stack. Move through projects more efficiently — copying complex grades between shots is faster and easier than ever.
Easily achieve precision and beauty in your grades with new SpeedLooks. Apply SpeedLooks camera patches to balance the color spaces of different types of cameras. Combine these with SpeedLooks for advanced grades that look great across all of your clips.
Leverage the industry-leading file format support of Adobe Premiere Pro CC in SpeedGrade CC. Just open Adobe Premiere Pro sequences in SpeedGrade CC and get straight to work on virtually any material, including mixed format timelines. Less time transcoding means more time being productive.
Matching the look of clips can be tedious and time-consuming. Shot Matcher lets you work faster by automatically correcting for subtle differences in footage to achieve a consistent feel between shots, within scenes, and across your entire project.
See what you need on the Timeline while grading your footage. Key editorial information remains visible when you open Adobe Premiere Pro sequences inside SpeedGrade CC — letting you focus on the color grading tools without losing track of your cuts, transitions, or effects.
Grade with confidence using reference-quality external monitors and Adobe Mercury Transmit. Support for selected SDI output cards, such as AJA and Matrox, lets you view color-critical work with the utmost accuracy.
Save graded stills of your work and quickly access them to use as references. Import images from other tools, such as Adobe Photoshop, to guide your color-grading decisions. Combine this tool with Shot Matcher to grab interesting looks and apply them with a single click.
Layer and link masks for full control over complex looks. Easily apply different color corrections to the inside and outside of masks, and combine these adjustments with other masks within the same .Look file. Now it’s a snap to copy whole looks to new shots or new projects.