You can use this tutorial with Adobe® Photoshop® Elements versions 7 and 8.
Learn about the automatic selection tools in Adobe® Photoshop® Elements. These tools, such as the Magic Wand tool, select areas of an image based on color and tone.
To complete this tutorial, install the following software:
Let's say you want to select and adjust the color of the sky in an image without selecting the cliffs in the foreground. One way to do select the sky is to use the Magic Wand tool. The Magic Wand tool looks at the color and tone in the photo where you click. Then, it selects a range of similar color and tone. For example, clicking in the sky of a photo selects similar parts of the image. With a little luck, it also selects the rest of the sky and not the other parts of the photo.
Depending on you select, the Magic Wand tool may not do a good job, as shown in Figure 1. It is hard to predict exactly what the Magic Wand will select. In this example, the intention was to select the entire sky area. One way to fix this problem is to modify the tool settings in the Options bar.

Figure 1: Unsuccessful Magic Wand tool selection
Contiguous means adjacent to or touching. With Contiguous selected, the Magic Wand only selects pixels that are next to one another. With contiguous deselected, there is a better chance of selecting various areas of the sky.

Figure 2: Magic Wand tool selection with the Contiguous option deselected
You can also try adjusting the tolerance of the tool. The tolerance determines the range of pixels that the Magic Wand selects.

Figure 3: Magic Wand tool selection with the tolerance increased
As you can see there is much guesswork involved in using the Magic Wand tool. You can experiment with the tool settings until you get the results you want. Another option is to try a different tool, such as the Quick Selection tool.
The Quick Selection tool also looks at color and tone similar to the area on which you click. But the way you use it is different from the Magic Wand.
As you drag, the Quick Selection tool tries to anticipate what you are trying to select, based on color and tone.
The example in Figure 4 shows an attempt at selecting the red table between the dogs front legs. But the Quick Selection tool selected part of the dogs legs.

Figure 4: Over selection made by the quick selection tool
If the tool goes too far and selects more than you want, you can use the Options bar to modify the selection.
The Subtract From Selection option deletes parts of the selection.
You may need to make several attempts at selecting. Try using different combinations of brush tips and then adding and subtracting from the selection until you get the result you want.
It can be difficult to tell exactly what you have selected by looking at the selection marquee alone. Sometimes it may look like you have a good selection. But when you apply changes to the selected area, you discover that your selection had rough edges or you selected the wrong parts of the photo.
Before applying changes to a selection, it is a good idea to preview the selection. Temporarily fill the selected area with a solid color, or view a selection mask to see exactly what is and is not selected.

Figure 5: Fill Layer dialog box
The white fill shows the current selection better than the marquee. If the edges of the selection are rough, as shown in Figure 6, you can refine the selection using the Options bar.

Figure 6: Previewing a selection by filling the selection area
You can control the edges of the selection by accessing the Refine Edge dialog box, which is available for any of the selection tools.

Figure 7: Refine Edge dialog box
A red mask is applied to the layer, as shown in Figure 8. All but the selected area is masked. The mask shows an interpretation of what the edge of that selection looks like.

Figure 8: Custom overlay color
Feathering blurs the edge of a selection, making it softer. As you drag the feather control to the right, you can see the edge of the selection get softer. Applying a small amount of feather can smooth the jagged edge of a selection.
Note: The Contract and Expand controls make a selection either smaller or larger.
Note:You can test the selection again by temporarily filling the selection.
Assuming that you made good choices in the Refine Edge dialog box, the selection has a softer, more realistic looking edge.
If you enjoyed this tutorial, check out these other resources to help get you started using Photoshop Elements.
Jan Kabili is senior trainer and evangelist at lynda.com. She has authored numerous books on Adobe software, including How to Wow: Photoshop CS2 for the Web, Photoshop CS Complete Course, Photoshop Elements Complete Course, and Photoshop ImageReady Hands on Training for the Web (with Lynda Weinman). In addition to her lynda.com training videos which include Photoshop Elements 3 Essential Training, and Photoshop CS3 for the Web Essential Training, she has written many articles for leading software publications such as Macworld, Photoshop User, and Mac Design magazines. Jan has not only contributed to the Adobe Classroom, but she is a published photographer and digital artist, with a Master of Fine Arts degree from University of Colorado at Boulder, and a law degree from Stanford Law School.
In Photoshop Elements 7 for Windows Essential Training, Jan Kabili shares workflow techniques for organizing, editing, creating projects, and sharing. She also demonstrates how to enhance photos with this budget-friendly software. Jan explains the latest updates to the Organizer and Editor workspaces, and also covers new features like the Smart Brush tool and Photoshop.com integration. Elements is very well known for its project features, and Jan shows how to create books, collages, panoramas, and more. Example files accompany the course.