Accessibility

Letting an image edit itself


Bruce Fraser

Bruce Fraser

 

David Blatner

David Blatner

www.63p.com

book cover

www.peachpit.com

 

Table of Contents

Created:
17 Jan 2007
User Level:
Advanced
Products:
Photoshop CS2 or later

We confess to being lazy. One of the ways that laziness manifests itself is that we’re always looking for simpler solutions, which in the field of digital imaging can be difficult and occasionally dangerous. But using the contrast, darken, and lighten blend modes to adjust tonality Adobe® Photoshop® is one of those few solutions that is both simple and safe.

Bruce calls this “letting the image edit itself” because rather than having to place curve points and carefully manipulate them, the image content does all the work. If you need more contrast, apply a Soft Light or Hard Light layer. The blending mode takes the contrast that’s already in the image and increases it, with no danger of clipping, and no futzing around in the Curves dialog box. Likewise, when you need to lighten or darken an image, Screen and Multiply do those things proportionally, again with no danger of clipping. Moreover, the blend modes tend to introduce less hue-shifting than major tonal moves with Curves.

Each layer affects all the layers underneath it, so we often end up going back to a previous layer to tweak it to take account of the effect of the ones above it. Using the blend modes, we can simply adjust the layer opacity without having to open dialog boxes, or when we need to make localized changes, we edit the layer masks.

Once you get accustomed to working with the blend modes, you’ll find that they’re useful for many different kinds of edits. But it’s important to remember that the conventional tools still work too!

Requirements

To complete this article, you will need the following software:

Adobe Photoshop CS2

Prerequisite knowledge:

Basic knowledge of Adobe Photoshop CS2

About the authors

Bruce Fraser was an internationally recognized authority on digital imaging and color image reproduction. In addition to speaking and consulting on these topics, he was co-author of the best-selling Real World Adobe Photoshop, Real World Camera Raw with Adobe Photoshop CS2, and Real World Color Management, the definitive guide to color management systems. A contributing editor for photoshopnews.com and creativepro.com, Bruce was also a principal and founder of Pixel Genius LLC, a collaboration of industry experts dedicated to creating leading-edge products and services for the photographic and digital imaging industries.

David Blatner is the author or co-author of more than a dozen books, including Real World InDesign, Real World Scanning and Halftones, InDesign CS/CS2 Breakthroughs, Real World Photoshop, and Moving to InDesign. He is also a contributing editor for creativepro.com and the editorial director of InDesign Magazine. His books have sold more than a half-million copies worldwide and have been translated into 15 languages.

Excerpted from “Real World Adobe Photoshop” by Bruce Fraser and David Blatner © 2005 Peachpit Press. Published by Peachpit Press. To buy this book, visit www.peachpit.com.