Adobe® Photoshop® gained typographic prowess late in its career; in fact, for a long time it was downright painful to get good-looking type out of it. But that’s all changed now. It’s like the folks on the Photoshop team took a look at the typography in InDesign and suddenly said, “Hey, we can do that!” Photoshop lets you tweak kerning, leading, color, hyphenation, and more to your heart’s content. You can set beautiful type in Photoshop… but that doesn’t mean you should.
Figure 1: Vectors and pixels together at last
Note that this vector text sits both behind and in front of the bitmapped image.
To achieve the effect, we copied some of the image onto a new layer, added a layer mask (which is invisible here), and put the text in between the two layers. Note that we converted the text to a layer clipping path (“shape”) so that we didn’t have to send the font to the printer.
Once again, the screen can’t be trusted. Here, the text is vector, but it appears to be soft-edged.
People who want to overlay text on top of pictures often ask us, “Should we use the Type tool in Photoshop, or the features in our page-layout or illustration program?” The answer, as always, is “it depends.”
So, if you’re setting more than a few words, you should probably set them in QuarkXPress, InDesign, PageMaker, Illustrator, FreeHand, or some other program. But if you’re hell-bent on using Photoshop to lay out text, here are some tips and tricks to help you do so more efficiently.
To complete this article, you will need the following software:
Basic knowledge of Adobe® Photoshop CS2
Bruce Fraser was an internationally recognized authority on digital imaging and color image reproduction. In addition to speaking and consulting on these topics, he was co-author of the best-selling Real World Adobe Photoshop, Real World Camera Raw with Adobe Photoshop CS2, and Real World Color Management, the definitive guide to color management systems. A contributing editor for photoshopnews.com and creativepro.com, Bruce was also a principal and founder of Pixel Genius LLC, a collaboration of industry experts dedicated to creating leading-edge products and services for the photographic and digital imaging industries.
David Blatner is the author or co-author of more than a dozen books, including Real World InDesign, Real World Scanning and Halftones, InDesign CS/CS2 Breakthroughs, Real World Photoshop, and Moving to InDesign. He is also a contributing editor for creativepro.com and the editorial director of InDesign Magazine. His books have sold more than a half-million copies worldwide and have been translated into 15 languages.
Excerpted from “Real World Adobe Photoshop” by Bruce Fraser and David Blatner © 2005 Peachpit Press. Published by Peachpit Press. To buy this book, visit www.peachpit.com.