Work natively with the latest mobile, DSLR, HD, and RAW formats; edit, trim, and adjust effects in real time; stabilize shaky footage; and enjoy a sleek, revamped user interface and expanded multicam support. Over 50 enhancements make switching to Adobe® Premiere® Pro CS6 software easy.
See more of your video and less clutter thanks to a highly intuitive, customizable interface. New monitor panels include a customizable button bar; the new Project panel focuses squarely on assets and allows clips to be skimmed, scrubbed, and marked up for editing. A new audio track design, improved meters, and a revamped Mixer panel make working with sound easier than ever.
Work dramatically faster thanks to sweeping performance, stability enhancements, and support for NVIDIA Maximus dual-GPU configurations and certain MacBook Pro OpenCL-based AMD GPUs.† Adobe Mercury Transmit enhances integration with third-party I/O devices.
Take advantage of the most requested editing enhancements, including over 50 new features to help editors switching NLEs move more comfortably to Adobe Premiere Pro.
Finesse your editing with precision using all-new advanced trimming tools. Trim clips your way — directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts.
Easily stabilize a bumpy camera move or lock a shot automatically with the same powerful technology as in Adobe After Effects® software. The new GPU-accelerated Warp Stabilizer removes jitter and rolling shutter artifacts and other motion-related irregularities.
Quickly and easily edit multicam footage from as many cameras as you have on the shoot. Sync via timecode, switch between tracks in real time, and adjust color across multiple shots.
Better manage the color in your projects with the more intuitive Three-Way Color Corrector for precise primary and secondary color correction. Instantly improve video image quality with Adobe Photoshop® style auto-correct functions.
Apply effects across multiple clips. Now you can create adjustment layers, similar to those in Photoshop and After Effects, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shot.
Work the way you want and edit more fluidly. A less cluttered, customizable interface lets you focus on your media by letting you choose which buttons to show or hide in the monitor panels.
View, sort, and arrange media easier than ever with the redesigned Project panel. Edit faster with the ability to scrub and skim clips, set in and out points, and resize clip thumbnails.
Work natively with the footage shot with the latest video cameras, including ARRI Alexa, Canon Cinema EOS C300, RED EPIC®, and RED Scarlet-X cameras. Native support lets you start editing immediately, without transcoding or rewrapping the footage.
Freely combine and pan mono and stereo clips. For more advanced audio workflows, new Multichannel master and Adaptive track types enable total audio routing flexibility and easy export to multichannel file types.
Use Adobe Prelude to efficiently log footage, add comments and markers, and create rough cuts that can be brought into Adobe Premiere Pro. Comments and markers are associated with the media, making it easy to organize.
New in Premiere Pro 6.0.2 - View and edit your video with pixel-level precision, including at 1080p in the Program Monitor, on the new MacBook Pro with Retina display.
Edit, apply filters, and adjust their parameters, all during playback. Dynamically preview video by looping playback and adjusting parameters on the fly, thanks to the Mercury Playback Engine. (May require a supported GPU.)
Easily export your Adobe Premiere Pro sequences into SpeedGrade CS6 for a complete finishing solution. Easily handle grading tasks like matching shots and creating consistent nuanced color to visually enhance your projects.
Easily repair media with rolling shutter artifacts such as wobble and skew. Based on technology in the Warp Stabilizer, this powerful effect can be applied without stabilization and offers enhanced controls.
Access commonly used settings immediately using the new Preset Browser in Adobe Media Encoder CS6. Organize presets by category, set favorites, and customize your most frequently used encoding presets.
Encode video faster when outputting a single source to multiple outputs with Adobe Media Encoder CS6. Get a significant performance boost when using watch folders on a network.
Take advantage of new support for RED EPIC 5K and RED Scarlet-X footage that lets you import it directly into Adobe Media Encoder CS6 for transcoding to HD and SD formats.
Save time and encode content more easily by using Adobe Media Encoder presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV.
Speed up your authoring workflow and get rock-solid performance and stability with Adobe Encore® CS6, now natively 64 bit. Open and save projects faster, and get dramatic performance working on demanding projects.
Bring MPEG assets into Encore CS6 even faster as multiple import processes happen simultaneously in the background.
View the correct pixel aspect ratio when previewing DVD simulations, thanks to new pixel aspect ratio correction in Encore CS6.
† AMD Radeon HD 6750M and HD 6770M graphic cards available with certain Apple MacBook Pro computers running OS X Lion (10.7.x) with a minimum of 1GB VRAM.