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The Sky's the limit
Adobe After Effects plays a big role in producing title sequences, identities and promos for British Sky Broadcasting. |
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Tom Flemming
Digital filmmaker Tom Flemming loves milk cartons, TV and Adobe software. |
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Pittard Sullivan
The grand patriarchs of broadcast design work toward convergence. |
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Rezn8
From the Super Bowl to the Olympics, Rezn8 sports a championship portfolio. |
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The Orphanage
Cast off from George Lucas's Industrial Light and Magic into the cold world of indie filmmaking, three San Franciscans hope to hit the big time. Again, and again, and again. |
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Image Forces
With Hollywood firmly under their thumb, Imaginary Forces takes aim at a new target: the Web. Can Kyle Cooper and crew make good? |
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Illusion Arts
Hollywood legends Syd Dutton and Bill Taylor are esteemed pioneers in the black art of special effects. See what happens when Syd and Bill go digital. |
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Media Menagerie
Experimental video artist Mark O'Connell takes us through the looking glass, darkly. |
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Andrew Nemeth
Australian VR master, Andrew Nameth, creates seamless photo panoramas for the Web. |
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Post Tool Design
Award-winning Post Tool Design pursues the strange and the beautiful with a potent mix of graphic arts and graphic science. |
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twenty2product
What do British style magazines from the 1980s, the Japanese illustrator Tadanori Yokoo, and Japanese pop music have in common? The answer, as seen in the art of motion-graphics house twenty2product is the ability to juxtapose seemingly diverse elements into a seamless whole. |
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Belief
Not many people look to the designer of the Hoover vacuum cleaner for inspiration, but at Belief, a Santa Monica-based broadcast design studio, the great Henry Dreyfuss is something of an icon. |
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Taylor
Angie Taylor runs her own business in Edinburgh, producing broadcast quality animation, motion graphics and special effects for TV, video and multimedia. |
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