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Created for the Remedi Project (U.S), this short textual piece appealed to Chen because of its experimentation and limitless file size. He started with a photograph that was stretched "really long" using Adobe Photoshop® software. He saved it out at 256 colours to get its deliberately pixellated look, something Chen notes he now does using the "Add Noise" filter. |
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"I liked the texture," says Chen, "I basically look for textures in graphics, as well as depth."
Mostly Chen considers the piece a motion exploration, a story told with a lot of transitions and type.
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