Dive into water photography.

"It’s about showing the movement of water,” says photographer Aubry Healy. “You always want to see something moving. Taking photos of water is speeding it up or slowing it down. It’s stopping time.”

Here are a few things you’ll need to know to capture great photos of raging rivers, falling raindrops and more.

How to shoot water.

Water has no single shape, speed or look. Because it’s a substance that can shift to fill any space, it’s not only about discovering different angles to shoot it from. It’s also about focusing on the specific characteristics of water in the moment. To shoot water, a photographer needs to be malleable, just like their subject matter.

Research location, lighting and weather conditions to prepare for different water photography subjects. Landscape photographers who snap pictures of a winding river at sunrise need different gear than photographers who capture water droplets flying from the surf when a wave crests. If you need to get into the water to get the shot you want, this research will ensure that you bring along the right tools.

Lighting at water photoshoots.

Direct sunlight can pose a problem for photographers and that’s especially true if you’re taking pictures of water. Overhead sunlight may reflect off the water and cause glare. If you want to snap a sun-drenched ocean vista, skip midday and plan to shoot during sunrise or sunset, known as the golden hour. The soft lighting of golden hour illuminates a scene without causing any issues with reflected light. If you want to shoot a popular beach at golden hour, consider going at dawn.

But even with planning and research, you can’t control lighting, weather or water conditions. Be prepared to change plans on the fly when the environment doesn’t cooperate. “You have to enjoy swimming, going out and being in the water,” says photographer Giancarlo Beroldo. “There are so many days when you go out and get skunked.” Each day that doesn’t turn out right still offers an experience you can build on next time.

Set up your camera for water photography.

Water can move lightning fast or very slowly. The right settings for water photography will change depending on whether you’re photographing the ocean on a calm day or a cascading waterfall surrounded by countless water drops. Before you take pictures of water, decide what you want the final product to look like.

Landscape photos of water usually require a smaller aperture to get the deep depth of field that makes every feature in the photo, from a nearby rock to a distant cloud, look crisp and well defined.

For crystal-clear pictures of moving subjects like waves, waterskiers or WaveRunners, you need to freeze motion. A fast shutter speed helps you to get a good shot of that surfer just exiting the tube. With the shutter open for less time, you need your camera sensor to be more sensitive to the light it lets in. So try using a higher ISO to get a better exposure with fast shutter speed shots.

Gear up for getting wet.

If you want to take pictures of water, you (and your gear) are almost certainly going to get wet. It’s important to have the right equipment to protect both you and your camera.

Camera housing

If you plan to take your camera in the water, make sure to use waterproof housing. A good housing not only protects your camera from splashes and spills, but it’s also essential for underwater photography. Once your camera is protected from water, you can go nearly anywhere with it.

The type of housing you use depends on what kind of lens you want to shoot with. “Are you going to shoot with a prime lens or are you going to bring something that can zoom?” says Beroldo. “It’s more expensive to get a housing for a zoom.”

Tripod

Since there’s less light at sunrise or sunset, pictures of ocean vistas during these times usually require longer exposures. A tripod keeps your camera steady while you take long exposure shots, as any movement can lead to out-of-focus images. Stability is especially important in these shots when your shutter is open for longer durations. Even the touch of a finger on the camera body can create too much motion — but putting the shutter on delay or using a remote shutter release to prevent camera shake can help. “I always do a two-second timer when I’m doing a long exposure,” says Healy.

ND filter or polarising filter

Even if you avoid shooting at midday, sometimes glare on the surface of water is inevitable. A neutral density filter (also known as an ND filter) can help to diminish increased light on the water. An ND filter reduces the intensity of light while still preserving colour — an essential feature for any photographer who shoots outdoors. A polarising filter or circular polariser, works in a similar way, but focuses on removing glare.

Muck boots

Sometimes getting the right shot requires you to venture into the cold surf of the ocean at high tide or to wade into the algae-filled shallows of a wide and wandering river. Waterproof boots help you stay dry so you can concentrate on taking photos instead of being distracted by cold feet.

Fins

Some water photography requires you to dive into the deep end, literally — and swim with a camera in hand. When that happens, it’s only your legs that keep you afloat. Diving fins can help you to keep your head above water when your hands are occupied.

“When you’re out in the water, you’re 100% reliant on what your lower body’s doing,” says Beroldo, who often finds himself holding his camera with two hands while staying afloat with his fin-clad feet. Seek out fins that attach to your leg with a tether line. That way, if one comes off, you won’t lose it forever.

Protective gear

If you want to photograph people hanging ten or catching waves, you may have to swim out among the surfers. With your eyes on a subject, you might not see another rider behind you. That’s why you should wear a helmet in case a stray surfboard comes your way.

When you shoot in a body of water where there may be surfers, swimmers, fishers or boats, it’s also important to stay visible. Reflective clothing or gear can help you to get noticed. “Not everything on your body should be dark colours like blue or black,” Beroldo explains, as these colours can blend into the water. “My camera housings are red and yellow.”