Crafting atmosphere.
The editor of The Substance used Premiere Pro's flexibility and powerful features to craft a dynamic rhythm and precise atmosphere through sound design, essential for a film with minimal dialogue.
Remote wilderness. Tamed by remote workflows.
The makers of Penelope used Camera to Cloud in Frame.io during off-the-grid shoots and Productions in Premiere Pro to cut their story with a remote team — find out how.
Teenage grief and glory, 2008 style.
From skate culture to social sites of the era, find out how writer/director Sean Wang and the editors used Adobe Premiere Pro and Creative Cloud to create the film Dìdi (弟弟).
Revenge has never been sweeter.
Thelma follows a scammed senior citizen's quest for justice. See how writer, director, and editor Josh Margolin used Adobe Premiere Pro to crank up the action and riff on classic rogue agent tropes.
Amps. Anthems. And a ton of footage.
The editors used Adobe Premiere Pro to weave decades of rock ’n’ roll history with the help of Text-Based Editing and reveal a lesser-known side of the iconic band — see how they did it.
Getting to know Frida. In her own words.
Find out how director and editor Carla Gutiérrez and team brought the diaries, letters, and essays of Frida Kahlo to life — sharing a hidden side of the radical artist.
Chef’s kiss. And editor’s kiss.
Find out how the editors of FX’s The Bear use Premiere Pro to unveil the energy of a crowded kitchen, the emotion of family drama, and the grief that informs every frame of the Emmy®-nominated show.
Stylish. Suspenseful. Seriously unhinged.
See how award-winning editor Kirk Baxter and his team used Premiere Pro to break the rules of traditional editing in The Killer, a neo-noir thriller directed by David Fincher.
Edit frame by frame, or universe by universe.
See how editor Paul Rogers and directors, the Daniels, used Adobe Premiere Pro, Adobe After Effects, and Frame.io to create the film’s iconic audit scene.
Go behind the scenes (and screens).
Discover how the editors of Missing used Premiere Pro and Adobe After Effects to create a thriller told entirely through phone and computer screens.
Romantic, comedic, and genre-defying.
See how the editors of Somebody I Used to Know used Premiere Pro and After Effects to defy rom-com cliches — bringing a uniquely grounded angle to the genre.
Breaking barriers, not workflows.
Take to the skies with the director and editors of Devotion to see how they used Premiere Pro, After Effects, and Frame.io to tell the story of the U.S. Navy’s first Black aviator.
Get the Sundance scoop.
Go backstage with the artists and discover why more Sundance filmmakers use Premiere Pro than any other editing solution.
A powerful app for subtle edits.
"Every movie or TV show I’ve cut has been in Premiere,” says editor Joanna Naugle. So when it came time to edit the critically acclaimed show Ramy, she used Premiere Pro to help bridge the fine line between comedy and drama.
The art behind the action.
When director Tim Miller envisioned the new Terminator: Dark Fate movie, he knew Adobe video tools were up to the task. Check out interviews with his team to find out why.
Bringing Wu-Tang history to the masses.
Mass Appeal turned to Premiere Pro to collaboratively edit the new SHOWTIME® docuseries Wu-Tang Clan: Of Mics and Men. See how they showcased this legendary group’s path from struggle to stardom.
The Michael Jordan of documentaries.
The team behind Unbanned: The Legend of AJ1, used Premiere Pro, After Effects, and Photoshop to get the story of the iconic Air Jordans off the ground.
Right on target for The Old Man and the Gun.
Veteran editor Lisa Churgin switched to Premiere Pro to cut this film, and post-production came off without a hitch.