Photoshop Learn

Control how your brush blends into the image

Use the Brush Picker to adjust brush shape and hardness, then resize your brush tip with the bracket keys for faster painting.
Published

Note: Stock assets provided are for practice purposes only. See terms.

What you’ll learn

Get familiar with the Brush Picker before every stroke

The Brush Picker sets the shape, size, and hardness of your brush tip, and other tools like the Clone Stamp and Eraser share the same picker. Open it from the Options bar, choose a tip shape, then compare a hard edge against a soft one by dragging the Hardness slider. Getting comfortable here means every brush-based tool in Photoshop behaves the way you expect.

Resize your brush without breaking your flow

Stopping to reopen the Brush Picker every time you need a different size slows down the work. The left and right bracket keys shrink and grow your brush tip right in the canvas. Your attention stays on the image instead of the toolbar.

Control how paint blends into the image below

A brush stroke doesn't have to sit flatly on top of a photo. Lower the Opacity to let the image show through, or switch Blend Modes to change how new color mixes with what's already there. Together, these two controls decide whether a stroke reads as a bold addition or a subtle shift.

Tint objects without flattening the photo underneath

Recoloring something in a photo usually means losing the detail that was there before. The Color blend mode lays down hue and saturation while letting the original tonal values show through. The result looks like a natural color shift instead of a flat coat of paint.

Recolor a selection without touching the rest of the image

Painting freehand risks spilling color outside the area you actually want to change. Select the object first with the Quick Selection tool, then paint over it with a large brush set to the Color blend mode; the selection keeps every stroke contained. It's a fast way to shift an object's color with total control over the edges.

Instruction by

Jan Kabili

Photography by

Martin Hoang

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