That association still holds; for example, Todd uses sans serif for a comic book set in a contemporary, cosmopolitan and fashion-orientated Los Angeles. However, sans serif typefaces can also evoke today’s handwriting, which is missing the extra strokes that were a product of the brush or quill. “The conventional wisdom is that sans serif fonts are supposed to mimic handwriting, which has more of a flow to it,” says Todd.
Sans serif fonts also work well where there’s very little room for copy. Signs, text in apps and names on maps tend to be sans serif. (There are exceptions, of course. Some sans serif font families, like Arial, are meant to work as body copy — text that goes on on for more than a sentence or two.)
“If you’re building an app or designing a site, sans serifs are generally the way to go,” says DeCotes, because legibility is a concern on screens that are small or have lower resolutions. She adds, “Sans serifs are for wayfinding or signage applications.” One of the most recognised fonts in the United States, Clearview, is a sans serif font. It was specifically designed for highway signs. Drivers needed to read a small amount of type from a long distance away and, in that instance, sans serif fit the bill.
Learn to mix and match fonts.
Find out how to use font combos with designs that make the most of different fonts and font families with this article from Adobe Create magazine.