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Collaborate and create faster than ever with improved integration and workflows. Other new features give you better ways to create responsive motion graphics, edit 360/VR, make animations, refine audio and more.

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Happy Finish
360 degrees of storytelling.
See how production house Happy Finish uses Premiere Pro and After Effects to create commercial virtual reality, augmented reality and 360-degree experiences.
 
Only the Brave
Only the Brave: Collaboration in action.
The editing team of this highly anticipated release relied on collaborative workflows and integration between Adobe Premiere Pro and After Effects to do everything from adding effects to correcting colour and audio.
 
Mindhunter
The minds behind David Fincher’s Mindhunter.
David Fincher’s new Netflix series is edited with an all-Adobe workflow, including Adobe Premiere Pro CC and After Effects CC, bringing VFX and editorial under one roof.
 
6 Below
Get deep into 6 Below.
Scott Waugh’s latest film is the first feature cut natively in 6K. Using Premiere Pro, After Effects and other Adobe apps, his team edited files directly from multiple formats, including Barco Escape.
 
Adobe and Mr Bean go live on Facebook
Adobe and Mr Bean go live on Facebook.
See how Adobe Character Animator CC helped the bumbling Mr Bean interact in real time with his devoted fans on Facebook.
 
A Ghost Story
Bringing A Ghost Story to life.
David Lowery wrote, edited, directed and brought this critically acclaimed haunting tale to (after) life using Premiere Pro and After Effects.
 
Editor Vinnie Hobbs is more than alright
Editor Vinnie Hobbs is more than alright.
Famous for Kendrick Lamar’s video Alright, Vinnie Hobbs is first and foremost a storyteller who relies on Premiere Pro to create hits for artists like Nicki Minaj and Skrillex.
 
Easier ways to set your ideas in motion
Easier ways to set your ideas in motion.
The spring 2017 video release helps you to deliver polished productions faster with new tools for creating graphics and titles, refining audio and correcting colour.
 
Go behind the screens at Sundance
Go behind the screens at Sundance.
Adobe is proud to celebrate indie filmmakers who have made Premiere Pro the official editing platform of the Sundance Film Festival and Adobe apps the tools of choice for filmmakers around the world.
 
25 years of Premiere Pro
Celebrating 25 years of Premiere Pro.
Premiere Pro has come a long way since its debut 25 years ago. Today, it’s the industry’s leading editing software, empowering filmmakers and video creators to bring their stories to life.
 
Homer Simpson
Homer’s live TV debut. Woo-hoo!
See how Character Animator got Homer off the couch and onto live TV for a real-time Q&A with Simpsons fans of The Simpsons.
 
Pete's Dragon
Firing up Pete's Dragon.
Director David Lowery used Photoshop, Premiere Pro and After Effects to power pre- and post-visualisation and bring Pete's Dragon to the big screen.
 
Deadpool
Deadpool: Lights. Camera. Mayhem.
Tight integration between Premiere Pro and After Effects was key to taking everyone’s favourite antihero from comic book to blockbuster.
 
Hail Caesar!
Hail, Caesar! conquers the cutting room floor.
Filmmakers Joel and Ethan Coen made the move from Final Cut Pro to Premiere Pro to edit Hail, Caesar! and worked closely with Adobe to create their new post-production workflow.
 
Godzilla
Shin Godzilla. There goes Tokyo.
With extensive visual effects and an 18-month production schedule, legendary filmmaker Hideaki Anno relied on Premiere Pro to get his monstrous feature finished on time.
 
RocketJump
Jaw-dropping effects with RocketJump. 
RocketJump brings its unique style of action movie comedy and cool visual effects to video with the help of Premiere Pro, After Effects and Adobe Media Encoder.
 

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