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See what others are creating:

An extraordinary portrait of the ordinary.

Train Dreams editor Parker Laramie used Adobe Premiere to streamline his color and sound workflows — and craft a poetic story of one man’s life against the backdrop of a changing world.

High-stakes editing for high-stakes thrills.

See how A House of Dynamite editor Kirk Baxter and his team stitched together a thrilling, multi-perspective narrative that leaves you on the edge of your seat — all with the help of Adobe Premiere.

Threaded with tension. Cut with style.

Discover how Erik Vogt-Nilsen, editor of Plainclothes, used Adobe Premiere, After Effects, and Frame.io to collaborate on crafting the award-winning Sundance film.

Crafting atmosphere.

The editor of The Substance used Premiere's flexibility and powerful features to craft a dynamic rhythm and precise atmosphere through sound design, essential for a film with minimal dialogue.

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Remote wilderness. Tamed by remote workflows.

The makers of Penelope used Camera to Cloud in Frame.io during off-the-grid shoots and Productions in Premiere to cut their story with a remote team — find out how.

Teenage grief and glory, 2008 style.

From skate culture to social sites of the era, find out how writer/director Sean Wang and the editors used Adobe Premiere and Creative Cloud to create the film Dìdi (弟弟).

Revenge has never been sweeter.

Thelma follows a scammed senior citizen's quest for justice. See how writer, director, and editor Josh Margolin used Adobe Premiere to crank up the action and riff on classic rogue agent tropes.

Amps. Anthems. And a ton of footage.

The editors used Adobe Premiere to weave decades of rock ’n’ roll history with the help of Text-Based Editing and reveal a lesser-known side of the iconic band — see how they did it.

Getting to know Frida. In her own words.

Find out how director and editor Carla Gutiérrez and team brought the diaries, letters, and essays of Frida Kahlo to life — sharing a hidden side of the radical artist.

Chef’s kiss. And editor’s kiss.

Find out how the editors of FX’s The Bear use Premiere to unveil the energy of a crowded kitchen, the emotion of family drama, and the grief that informs every frame of the Emmy®-nominated show.

Stylish. Suspenseful. Seriously unhinged.

See how award-winning editor Kirk Baxter and his team used Premiere to break the rules of traditional editing in The Killer, a neo-noir thriller directed by David Fincher.

Edit frame by frame, or universe by universe.

See how editor Paul Rogers and directors, the Daniels, used Adobe Premiere, Adobe After Effects, and Frame.io to create the film’s iconic audit scene.

Go behind the scenes (and screens).

Discover how the editors of Missing used Premiere and Adobe After Effects to create a thriller told entirely through phone and computer screens.

Romantic, comedic, and genre-defying.

See how the editors of Somebody I Used to Know used Premiere and After Effects to defy rom-com cliches — bringing a uniquely grounded angle to the genre.

Breaking barriers, not workflows.

Take to the skies with the director and editors of Devotion to see how they used Premiere, After Effects, and Frame.io to tell the story of the U.S. Navy’s first Black aviator.

Get the Sundance scoop.

Go backstage with the artists and discover why more Sundance filmmakers use Premiere than any other editing solution.

A powerful app for subtle edits.

"Every movie or TV show I’ve cut has been in Premiere,” says editor Joanna Naugle. So when it came time to edit the critically acclaimed show Ramy, she used Premiere to help bridge the fine line between comedy and drama.

The art behind the action.

When director Tim Miller envisioned the new Terminator: Dark Fate movie, he knew Adobe video tools were up to the task. Check out interviews with his team to find out why.

Bringing Wu-Tang history to the masses.

Mass Appeal turned to Premiere to collaboratively edit the new SHOWTIME® docuseries Wu-Tang Clan: Of Mics and Men. See how they showcased this legendary group’s path from struggle to stardom.