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Only the Brave
Les têtes pensantes de la série Mindhunter de David Fincher
La nouvelle série de David Fincher diffusée sur Netflix est montée via un workflow 100 % Adobe, qui inclut Premiere Pro et After Effects et centralise donc tout le travail sur les effets spéciaux et le montage.
The minds behind David Fincher’s Mindhunter.
David Fincher’s new Netflix series is edited with an all-Adobe workflow, including Adobe Premiere Pro CC and After Effects CC, bringing VFX and editorial under one roof.
6 Below
Plongez-vous dans 6 Below
Le nouveau film de Scott Waugh est le premier long métrage monté en mode natif au format 6K. L’équipe a fait appel à Premiere Pro, After Effects et d’autres applications Adobe pour monter les fichiers disponibles dans différents formats, dont Barco Escape.
Adobe and Mr. Bean go live on Facebook
Adobe and Mr. Bean go live on Facebook.
See how Adobe Character Animator CC helped the bumbling Mr. Bean interact in real time with his devoted fans on Facebook.
A Ghost Story
Bringing A Ghost Story to life.
David Lowery wrote, edited, directed, and brought this critically acclaimed haunting tale to (after) life using Premiere Pro and After Effects.
Editor Vinnie Hobbs is more than alright
Editor Vinnie Hobbs is more than alright.
Famous for Kendrick Lamar’s video Alright, Vinnie Hobbs is first and foremost a storyteller who relies on Premiere Pro to create hits for artists like Nicki Minaj and Skrillex.
Easier ways to set your ideas in motion
Easier ways to set your ideas in motion.
The spring 2017 video release helps you deliver polished productions faster with new tools for creating graphics and titles, refining audio, and correcting color.
Go behind the screens at Sundance
Go behind the screens at Sundance.
Adobe is proud to celebrate indie filmmakers who have made Premiere Pro the official editing platform of the Sundance Film Festival and Adobe apps the tools of choice for filmmakers around the world.
25 years of Premiere Pro
Celebrating 25 years of Premiere Pro.
Premiere Pro has come a long way since its debut 25 years ago. Today, it’s the industry’s leading editing software, empowering filmmakers and video creators to bring their stories to life.
Homer Simpson
Homer’s live TV debut. Woo-hoo!
See how Character Animator got Homer off the couch and onto live TV for a real-time Q&A with Simpsons fans of The Simpsons.
Pete's Dragon
Firing up Pete's Dragon.
Director David Lowery used Photoshop, Premiere Pro, and After Effects to power pre- and post-visualization and bring Pete's Dragon to the big screen.
Deadpool: Lights. Camera. Mayhem.
Tight integration between Premiere Pro and After Effects was key to taking everyone’s favorite antihero from comic book to blockbuster.
Hail Caesar!
Hail, Caesar! conquers the cutting room floor.
Filmmakers Joel and Ethan Coen made the move from Final Cut Pro to Premiere Pro to edit Hail, Caesar! and worked closely with Adobe to create their new post-production workflow.
Shin Godzilla. There goes Tokyo.
With extensive visual effects and an 18-month production schedule, legendary filmmaker Hideaki Anno relied on Premiere Pro to get his monstrous feature finished on time.
Jaw-dropping effects with RocketJump. 
RocketJump brings its unique style of action movie comedy and cool visual effects to video with the help of Premiere Pro, After Effects, and Adobe Media Encoder.

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