Bend light and colour with prism photography.

See how you can enliven portraits, landscapes and wedding photography with a glass prism and a bit of rainbow light.

Rainbow light beaming onto someone's hand

What is prism photography?

Prism photography is a technique that uses a prism to bend, refract or scatter light on a subject. A portrait, an album cover or a wedding photo might be amplified by a bit of rainbow light floating in the foreground. Or a subject could appear to be at the centre of a kaleidoscope or in a psychedelic dreamscape. All of these effects come from prisms made from pieces of glass, plastic or other material. “It’s an in-camera effect that allows you to create organic, real-life distortions and flare,” says photographer Sam Hurd.

A prism reflecting a rainbow onto one side of a person's face

How prisms work in creative photography.

Prisms refract light. White light is made of a variety of colours: red, orange, yellow, green, blue, indigo and violet are all present in every ray of sunlight. When mixed together, these colours appear to be white. A prism bends that white light and can turn it into coloured light.


Like a filter, if you place a prism between your camera lens and your subject, you can capture some of the distortions and rainbow light that a prism creates in your photos. 

A prism reflecting a rainbow

Set up a prism photoshoot.

A good prism photograph still has to be a good photograph. For the best prism photography results, do everything you’d normally do to set up a good portrait, headshot or wedding photoshoot. “I never start with the prism right out of the gate,” says Hurd. “I always make sure the subjects are in a good light. All of the fundamentals that make a good portrait need to be the foundation.”


The amount of light that enters your camera is critical to achieve good results with a prism. You want to focus on close-proximity subjects while using a lens that’s made for nearby subjects. “It really helps to have a prime lens with a shallow depth of field. I don’t really recommend it with a zoom lens,” says Hurd. “Any focal length is fine. The aperture is the most critical part of it.” Aperture is the opening in the camera that determines how much light hits your camera sensor. This can be adjusted in your camera settings. Hurd recommends using an aperture of at least 2.8, which lets in a fair amount of light.


Work with a manual focus to get the most out of prism effects. This will allow you to quickly adjust the relation of your lens to the prism, your subject and the light.


While prism photography thrives on sunlight, direct overhead light, like outdoors at noon, is not optimal for prism effects. “Shooting in direct light is very different with a prism,” says photographer Stephanie DeFranco. “It’s very, very harsh. My advice is to find something like fairy lights or a torch and shoot toward it to see what effect it makes.” 

A prism used to distort a photo taken of a person

How to use prisms in photography.

Once the prism is in front of your camera lens, adjust the focus so that you can see clearly through the prism. Move the prism to create rainbows and other effects. There’s no one position or specific photography technique for achieving a given prism effect. It’s trial and error. Every prisming session is different and you can learn how to achieve your desired outcomes through practice. It will help you to build the intuitive sense of how your tools interact. “Don’t expect everything to happen instantly,” says DeFranco. “It takes practice. Learn when you see certain light works best for it.”


Keep in mind that you should avoid aiming focused sunlight from your prism at your subject’s face. Don’t spoil the magic by making them squint in pain.

A prism used to distort a photo taken of a person
A prism used to distort a photo taken of a person

You can build a small rig on your camera to hold the prism in place or you can hold the prism in front of your lens manually. “By doing handheld, I can iterate on an idea much faster,” says Hurd. “And I often get happy accidents.” By moving the prism at different angles in relation to a light source, you can achieve different effects, such as slight distortions, rainbows or a bokeh effect.


Types of photography prisms.

A variety of prisms are available for prisming photography, but the most common tool is a small, six-inch triangular prism that you can easily hold in one hand in front of the lens. Prisms like this are easy to come by. Camera shops tend to have them and other tools for prisming and they are easy to find in science shops or online via retailers like Amazon.


“Use a prism that’s long enough that you don’t get your own fingers in the shot,” says Hurd. Remember, the prism must be big enough that its edges aren’t in the frame.


Triangular prisms aren’t the only things that create rainbow light, though. Anything that refracts light can potentially be a tool for filling a scene with colour. Plastic water bottles are cheap and easy to come by and ordinary panes of glass or bits of clear plastic can also scatter light to make a rainbow.


“You can put virtually anything in front of the camera to create some kind of effect,” says DeFranco. “If you place the bottom of your smartphone on the bottom of your lens you can create a cool little reflection effect,” says DeFranco. 

A prism reflecting a rainbow onto the hands of people who are holding hands together
A prism used to distort a photo taken of an apple tree

Integrate prism effects into your work.

Once you are familiar with the basics of prism photography, you’ll find it an easy, quick way to add creative effects to your work. Portrait and wedding photographers often need to create unique and memorable images for their clients. Rainbows and psychedelic light can become one more effect to offer clients. They might help you to stand out as a photographer who has mastered creating magic with light. Plus, a six-inch prism can be a small, inexpensive addition to your repertoire and your camera bag.


It’s also possible to add rainbow effects and other flourishes in Adobe Photoshop and with practice, any photographer can add and amplify effects both in front of the camera and in post-production.


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