Use Adobe Photoshop to create a double exposure effect.

In film photography, a double exposure is a combination of two exposures in one image to produce evocative results. In this easy-to-follow tutorial, learn how graphic artist Erica Larson uses Adobe Photoshop to combine two photos, creating a seamless double exposure effect.

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https://main--cc--adobecom.hlx.page/cc-shared/fragments/modals/videos/photography/discover/double-exposure-effect#video | Photo composite of a bison against a white background and a snow scene blended in with its body | :play-medium

JUMP TO SECTION

Step 1: Prep your images

Step 2: Get clear

Step 3: Add more colour

Step 4: Keep focus

Get twice the exposure

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Erica Larson dreams up inspired designs every day as an Associate Creative Director on the Adobe Studio team. She makes stuff that makes others want to make stuff.

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xl spacing, two up

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Take a quick one-minute look at Larson’s double exposure technique—the steps are written out below.

Before you start.

The best images to use with this technique are high-contrast photos with distinct light and dark areas. Use these sample images if you’d like or practice with your own.

Step 1: Prep your images

Open your two images and drag one on top of the other. Larson dragged the snowy landscape on top of the image of the bison. Then, in the Layers panel, set the Blend mode to Screen and reduce the Opacity setting.

Before/after shows original bison image and the final composite with snow image added, blending mode set, and Opacity reduced

Step 2: Get clear

To bring out the bison’s face and other areas, Larson added a mask to the landscape layer. This allowed her to simply paint wherever she wanted those details to come through.

Paint with black on layer mask on snow layer to reveal bison’s face and front legs

Step 3: Add more colour

For a dramatic touch, Larson added a Gradient Fill layer using the Violet, Orange preset, before setting the Blend mode to Overlay and reducing the Opacity to 60 per cent.

Add Gradient Fill adjustment layer, set blending mode to Overlay, and reduce opacity for photo composite effect

Step 4: Keep focus

To keep the focus on the bison’s face, Larson adjusted the Gradient Fill angle to 0 degrees. She clicked the gradient to open the Gradient Editor and shifted the violet colour stop and the Colour Midpoint to get the desired effect.