>> Premiere Pro allows us to work with multiple angles to create a Multi-camera source sequence.

Lets see this workflow in action.

To follow along with wave about to show you, download the project file and sample clips that accompany this tutorial.

Right now, I have my bin open up with the four clips, and this is a music video shoot that was shot with multiple angles.

On each of the cameras the audio was recorded which I am going to use to drive the synchronization of the Multi-camera source sequence.

I'm gonna double-click the camera one to load in to the source monitor so that we can preview it.

So I'll double click, I'm gonna move my playhead to the beginning of the clip and hit the spacebar to playback.

I'll stop playback, now I'll double click to camera two to load it into the source monitor.

Let me move to the beginning with a shortcut key this time, function left arrow on my Mac or Home on an extended keyboard, and I'll play back.

So we can see that the audio is the same on the first two clips, but it also is the same for camera three and four.

In the project panel I'm gonna click in a gray area and hit Ctrl A on a PC or command A on a Mac to select all the clips.

By Ctrl + clicking one of the clips I have get a contextual menu where I'll choose to create a multi-camera source sequence.

A dialog box appears naming your Multi-Camera source sequence, Multi-cam.

The multi camera clip needs a Synchronization Point.

We can use either In Points, Out Points or Timecode to drive Synchronization.

We're gonna use Audio on Track Channel 2 and all of these clips after are gonna be moved to a new bin called Processed.

Once I click OK, We'll see all these clips moved into a processed bin, you can see the four items down here and here we have our Multi-camera source sequence.

I am gonna select this clip and drag it on to new item icon to create a new sequence from it.

Inside the sequence, I'll hit the backslash key in order to fit the clip to the Window, but as you can see I can only see one of the angles.

In order to see only see multiple angles, I'm gonna go to my Settings menu identified by the wrench icon and choose to move from Composite Video over to Multi-camera.

If we take a look now we see the camera one and camera three and this is because camera two and four started at a later frame.

If I hit the right arrow key, we can see that.

Let me move my play head back to the beginning of the sequence from the settings menu, first of all note that Multi-Camera Audio does not follow the Video which is exactly what we want in this case, meaning that the audio will remain on the camera one track.

Next, we also have the ability to Edit Cameras.

You can see that we can switch camera orders.

I'll take camera four and drag it in between of camera two and three.

Since this is not what I want, I can hit cancel to Undo that command.

In order to start cutting in my Multi-camera clip, I'm gonna use short cut keys.

So the one, two, three and four whether on a laptop or an extended keyboard will cut between each of your angles.

To start cutting in your Multi-Camera clip, move your play head to the beginning of the sequence and lets hit the spacebar to play back.

I'll hit the four key, notice how this follows.

I'll hit three followed by two and one, I'll jump back to four followed by two now three and when I hit the spacebar your Multi-Camera clip has become a bunch of editing decisions on the timeline.

If I move my play head over one of the cuts, I'll hit the equal key to zoom in on the time line.

I can use minus to zoom out.

But you can see on the clip that it actually displays which camera you cut to.

Once you finish your Multi-Camera clip, you can hit Ctrl + A or command + A on a Mac to select everything and Ctrl + click to choose Multi-Camera Flatten to make them into individual editing decisions that you can further refine.

And that's how we work with the Multi-Camera clips in Premiere Pro.