Persistence of vision was key to early animation devices like the
Zoetrope, a cylindrical gizmo that blew the bowler hats off Victorian audiences by presenting a rapid sequence of images from within a rotating drum.
Flipbooks are a little different, however, as they present images in linear sequence, rather than through a circular device. It was actually the Victorian printer John Barnes Linnett who pioneered flipbooks in the 1860s, and their potential for animation and filmmaking quickly became apparent. By the late nineteenth century, early motion picture devices like the Mutoscope had replaced the paper pages of a flipbook with photographic prints.
Flipbooks and traditional cel animation share the same basic principle of using sequential images to create the impression of movement. Animation teams from Steamboat Willie right through to Who Framed Roger Rabbit drew incremental sequences of linear images onto celluloid and projected them in rapid succession. They also used flipbooks to plan drawings and in-betweens.
Today,
computer animation is widely used across TV and film, although hand-drawn techniques continue to be used by some creators and productions. Nonetheless, a subculture of back-to-basics animation enthusiasts have brought flipbooks out of the archives and back onto social media feeds. If you're fascinated by animation more broadly, our
complete guide to animation is a good next stop, covering every technique from flipbooks to full CGI.