Adobe Jenson^® Pro

This document contains late-breaking product information, updates, and troubleshooting tips.

Minimum system requirements
Font installation
Family information
Release Notes
Known issues
Customer care
Other resources

Minimum system requirements

Windows®

• Intel® Pentium,® Intel Centrino,® Intel Xeon,® or Intel Core™ Duo processor
• Microsoft Windows 2000, Windows XP, or Windows Vista™
  
• 16 MB of RAM (32 MB recommended)
• Note: Fonts from Font Folio 11 may also be installed under Microsoft Windows 98, Windows Millennium Edition, and Windows NT® 4.0 with Service Pack 4 if you install Adobe Type Manager® (ATM™) Light 4.1 on your system. If using a PostScript® printer on Windows 98/ME, AdobePS™ printer driver 4.3 or later is recommended. If using a PostScript printer on Windows NT 4.0, AdobePS printer driver 5.1.2 or later is recommended.

Macintosh

• PowerPC® G4 or G5 or multicore Intel processor
• Mac OS X
• 16 MB of RAM (32 MB recommended)
• If using a PostScript printer, the latest AdobePS printer driver is recommended.
• Note: Fonts from Font Folio 11 may be installed under Mac OS 8.6 through 9.2 with ATM Light 4.6, and under Classic mode in Mac OS X with ATM Light 4.6.2.

For information on installing these fonts, see http://www.adobe.com/go/learn_fontinstall_en.

History

Adobe Jenson Pro captures the essence of Nicolas Jenson's roman and Ludovico degli Arrighi's italic typeface designs. The combined strength and beauty of these two icons of Renaissance type result in an elegant typeface suited to a broad spectrum of applications. Designed by Robert Slimbach of the Adobe type design team, Adobe Jenson Pro is part of the family of Adobe Originals historical revivals, including Adobe Garamond Pro and Adobe Caslon Pro. With its many OpenType features, extended language support and typographic refinement, Adobe Jenson Pro provides a power and flexibility for text composition rarely found in digital type.

Menu Names And Style Linking

In many Windows® applications, instead of every font appearing on the menu, fonts are grouped into style-linked sets, and only the name of the base style font for a set is shown in the menu. The italic and the bold weight fonts of the set (if any) are not shown in the font menu, but can still be accessed by selecting the base style font, and then using the italic and bold style buttons. In this family, such programs will show only the following base style font names in the menu:

Adobe Jenson Pro
Adobe Jenson Pro Capt
Adobe Jenson Pro Disp
Adobe Jenson Pro Lt
Adobe Jenson Pro Lt Capt
Adobe Jenson Pro Lt Disp
Adobe Jenson Pro Lt Subh
Adobe Jenson Pro Subh

The other fonts in this family must be selected by choosing a menu name and then a style option following the guide below.

On the Mac OS, although each font appears as a separate entry on the font menu, users may also select fonts by means of style links. Selecting a base style font and then using the style links (as described above for Windows) enhances cross-platform document compatibility with many applications, such as Microsoft® Word and Adobe PageMaker®, although it is unnecessary with more sophisticated Adobe applications such as recent versions of Illustrator®, Photoshop® or InDesign®.

One should not, however, select a base font which has no style-linked variant, and then use the bold or italic styling button. Doing so will either have no effect, or result in programmatic bolding or slanting of the base font, which will usually produce inferior screen and print results.

Optical Sizes

Typefaces with optical size variants have had their designs subtly adjusted for use at specific point size ranges.

Please see Adobe Type - Optical Sizes for a current discussion of the uses of optical sizes.

This capability reintroduces one of the features of hand-cut metal type, which uses a separate font for each point size and is often optically adjusted. This is an advantage over the current common practice of scaling a single digital type design to different point sizes, which may reduce legibility at smaller sizes or sacrifice subtlety at larger sizes. The objective of optical sizing is to maintain the integrity and legibility of the underlying typeface design throughout a range of point sizes. The adjustments typically made to the design to optimize it for different sizes are: for larger point sizes, the space between characters (letter fit) tightens, the space within characters (counterforms) closes up (i.e., the letters are slightly more condensed), the serifs become finer and the stroke contrast becomes greater, the overall weight becomes lighter, and the x-height gradually diminishes; for smaller point sizes, opposite adjustments are made. Smaller optical sizes are also useful when output resolution is very limited, such as for on-screen display. One might choose to use a smaller optical size design for creating text on buttons for a Web page, for example. These adjustments can improve the legibility of intermediate point sizes further if there is a greater change in design at smaller sizes than at larger sizes. For example, the difference in design between Caption and Regular optical sizes, which usually have a difference in intended usage size of only 4-8 points, is often almost as much as the difference between the regular and display sizes, which have a usually difference of 10-60 points.

Although any of the fonts may be used at any size, the intended point sizes for the designs of this family are:

1. Caption: from 6.0 to 9.0 points
2. Body Text: from 9.0 to 13.4 points
3. Subhead: from 13.4 to 21.9 points
4. Display: from 21.9 to 72.0 points

For all fonts of family Adobe Jenson Pro: version 2.025 created on Mon Aug 20 16:30:50 2007.

version 2.025 created 2007/08/20

• Release for FontFolio 11
• Added superior alternates for numbers.
• Added glyphs: one.superior, two.superior, three.superior as duplicates of onesuperior, twosuperior, threesuperior.
• Changed substitutions in 'sups' to use new alternates.
• Simplified 'ordn' feature.
• Removed contextual rules from 'ordn' feature. Simplified substitutions.
• Added f-ligatures for use in 'liga' feature.
• Added glyphs: f_i as duplicate of fi; f_l as duplicate of fl.
• Changed substitutions in 'liga' to use these new ligatures.
• Add new glyphs to appropriate kern classes.
• Added support for spaces in arbitrary fractions.
• Added glyphs: space.frac, nbspace.frac as new, thin space to harmonize with fraction numerals.
• Added glyph: slash.frac as duplicate of fraction.
• Removed 'percent' and 'perthousand' from arbitrary fraction substitutions in 'frac' feature.
• The inclusion of the characters 'percent' and 'perthousand' among arbitrary fraction substitutions in a 'frac' feature was disruptive in that these glyphs often do not match other fraction numerals.
• Added small cap alternate for dotlessi.
• Added glyph: dotlessi.sc as duplicate of i.sc.
• Added dotlessi substitution to 'smcp' feature.
• Substitute dotlessi by dotlessi.sc.
• Added majuscule small cap alternates.
• Existing small cap glyph are alternates of lowercase letters. Most/all of these glyphs were duplicated to function as small cap alternates of uppercase letters.
• Added glyphs: "fi.sc" and "fl.sc".
• Added glyph "germandbls.sc".
• Added glyphs "uni021A.sc" (Tcedilla.sc) and "uni021B.sc" (tcedilla.sc).
• Added glyph "longs.sc".
• Added glyph "uni021A.swash" (Tcedilla.swash).
• Added 'subs' feature, identical to 'sinf' feature.
• Changed ornament glyph names.
• Glyphs which had a base name of 'orn' were changed to a base name of 'bullet' to ensure proper name-to-character mapping.
• Removed numero glyph from 'ordn' feature.
• The 'ordn' feature contained a ligature substitution, N+o->numero. This was removed.
• Added glyph "i.dot".
• Added glyph "i.dot" as duplicate of glyph "i". Added 'locl' feature to substitute "i.dot" for "i" in certain languages (e.g. Turkish). Added 'locl' feature to 'aalt' feature list.
• Renamed litre glyph "afii61289" to "uni2113".
• Renamed "commaaccent" as "space_uni0326".
• Renamed uppercase accent glyphs.
• Changed unconventional names of uppercase accents to conventional names, e.g. Acute into acute.cap, Grave into grave.cap.
• Changed name of glyph "afii61352" (numero) to "uni2116".
• Corrected glyph names with PUA Unicode values.
• Glyph with names corresponding to Unicode values in the Private Use Area (e.g. "uniF123") were given descriptive names adhering to Adobe's glyph name conventions.
• Changed PUA uni names to descriptive names.
• Changed glyph name "rupiah" to "R_p".
• This glyph has no Unicode value. It was given a ligature-like name which best expresses its form.
• Corrected names of minuscule small cap glyphs, e.g. Asmall --> a.sc.
• Previous names did not conform to Adobe's glyph name conventions.
• Changed names of glyphs ending in "small" to end with ".sc" (e.g. "questionsmall" --> "question.sc").
• Previous names did not conform to Adobe's glyph name conventions.
• Corrected names of superior and inferior letter, symbol and punctuation glyphs.
• Previous names did not conform to Adobe's glyph name conventions.
• Changed names of glyphs ending in "oldstyle" to ".oldstyle".
• Previous names did not conform to Adobe's glyph name conventions.
• Changed glyph name "threequartersemdash" to "emdash.alt".
• Corrected names of ligature glyphs: ff --> f_f; ffi --> f_f_i; ffl --> f_f_l.
• Added swash glyphs to swash ('swsh') feature.
• Some swash glyphs were missing from the swash feature and were added: Amacron.swash, Abreve.swash, Aogonek.swash, Ccedilla.swash, Cacute.swash, Ccaron.swash, Dcaron.swash, Dcroat.swash, Emacron.swash, Edotaccent.swash, Eogonek.swash, Ecaron.swash, Gbreve.swash, Gcommaaccent.swash, Imacron.swash, Iogonek.swash, Idotaccent.swash, Kcommaaccent.swash, Lacute.swash, Lcommaaccent.swash, Lcaron.swash, Lslash.swash, Nacute.swash, Ncommaaccent.swash, Ncaron.swash, Oslash.swash, Omacron.swash, Ohungarumlaut.swash, Racute.swash, Rcommaaccent.swash, Rcaron.swash, Sacute.swash, Scedilla.swash, Scommaaccent.swash, Tcommaaccent.swash, Tcaron.swash, Umacron.swash, Uring.swash, Uhungarumlaut.swash, Uogonek.swash, Zacute.swash, Zdotaccent.swash, Eth.swash, Thorn.swash, j.swash, lslash.swash, eth.swash, germandbls.swash
• Added swash f-ligatures.
• Swash alternates of f-ligature characters (fi.swash, fl.swash) were duplicated (as f_i.swash and f_l.swash) to be proper swash alternates of the default ligatures (f_i and f_l).
• Added missing lowercase substitutions to small caps ('smcp') feature.
• Added missing substitutions to small cap glyphs: dotlessi, fi, fl, germandbls, longs.
• Added 'ss01' feature.
• Added a stylistic set ('ss01') for a set of three stylistic alternates of M, Q and Z.
• Added arbitrary fraction support.
• Previous version contained arbitrary numerators and denominators, but they were not utilized in the fractions feature.
• Moved "long s" ligatures from 'dlig' to 'liga'.
• Like more common ligatures, those involving the "long s" character should, by default, always be substituted. These ligatures were moved from the discretionary 'dlig' feature to the default 'liga' feature.
• Updated legal notices (trademark, copyright, and patent) for accuracy. Amended, changed and deleted as necessary. Ensured 'Notice' field in CFF fontinfo dictionary is the union of copyright and trademark notices in OTF 'name' table.
• Added uni2010 (hyphen2).
• Added 'size' feature containing a design size value.
• Add default language system.
• OpenType language system coverage for script 'dflt' and language 'DFLT' was added.

version 1.013 created 2000/08/08

• First release as OpenType.

• Some glyphs in the font cannot be accessed unless you are using an OpenType-savvy application.

Customer Service
Adobe Customer Service provides assistance with product information, sales, registration, and other non-technical issues. To find out how to contact Adobe Customer Service, please visit Adobe.com for your region or country and click on Contact.

Support Plan Options and Technical Resources
If you require technical assistance for your product, including information on free and paid support options and troubleshooting resources, more information is available at http://www.adobe.com/go/support/. Outside of North America, go to http://www.adobe.com/go/intlsupport/. Free troubleshooting resources include Adobe’s support knowledgebase, Adobe user-to-user forums and more.

Online Resources
Adobe Type Showroom
Adobe Type Showroom - all current Read-Me files for our font families
User Forums