Brioso™ Pro

This document contains late-breaking product information, updates, and troubleshooting tips.

Minimum system requirements
Font installation
Family information
Release Notes
Known issues
Customer care
Other resources

Minimum system requirements

Windows®

• Intel® Pentium,® Intel Centrino,® Intel Xeon,® or Intel Core™ Duo processor
• Microsoft Windows 2000, Windows XP, or Windows Vista™
  
• 16 MB of RAM (32 MB recommended)
• Note: Fonts from Font Folio 11 may also be installed under Microsoft Windows 98, Windows Millennium Edition, and Windows NT® 4.0 with Service Pack 4 if you install Adobe Type Manager® (ATM™) Light 4.1 on your system. If using a PostScript® printer on Windows 98/ME, AdobePS™ printer driver 4.3 or later is recommended. If using a PostScript printer on Windows NT 4.0, AdobePS printer driver 5.1.2 or later is recommended.

Macintosh

• PowerPC® G4 or G5 or multicore Intel processor
• Mac OS X
• 16 MB of RAM (32 MB recommended)
• If using a PostScript printer, the latest AdobePS printer driver is recommended.
• Note: Fonts from Font Folio 11 may be installed under Mac OS 8.6 through 9.2 with ATM Light 4.6, and under Classic mode in Mac OS X with ATM Light 4.6.2.

For information on installing these fonts, see http://www.adobe.com/go/learn_fontinstall_en.

History

Brioso Pro is a new typeface family designed in the calligraphic tradition of the Latin alphabet. Brioso displays the look of a finely-penned roman and italic script, retaining the immediacy of hand lettering while having the scope and functionality of a contemporary composition family. Brioso blends the humanity of written forms with the clarity of digital design, allowing designers to set pages of refined elegance. Designed by Robert Slimbach, this energetic type family is modeled on his formal roman and italic script. In the modern calligrapher's repertoire of lettering styles, roman script is the hand that most closely mirrors the oldstyle types that we commonly use today; it is also among the most challenging styles to master. Named after the Italian word for lively, Brioso moves rhythmically across the page with an energy that is tempered by an ordered structure and lucidity of form.

Menu Names And Style Linking

In many Windows® applications, instead of every font appearing on the menu, fonts are grouped into style-linked sets, and only the name of the base style font for a set is shown in the menu. The italic and the bold weight fonts of the set (if any) are not shown in the font menu, but can still be accessed by selecting the base style font, and then using the italic and bold style buttons. In this family, such programs will show only the following base style font names in the menu:

Brioso Pro Capt
Brioso Pro Disp
Brioso Pro Light
Brioso Pro Light Capt
Brioso Pro Light Disp
Brioso Pro Light Poster
Brioso Pro Light Subh
Brioso Pro Medium
Brioso Pro Medium Capt
Brioso Pro Medium Disp
Brioso Pro Medium Subh
Brioso Pro Regular
Brioso Pro Subh

The other fonts in this family must be selected by choosing a menu name and then a style option following the guide below.

On the Mac OS, although each font appears as a separate entry on the font menu, users may also select fonts by means of style links. Selecting a base style font and then using the style links (as described above for Windows) enhances cross-platform document compatibility with many applications, such as Microsoft® Word and Adobe PageMaker®, although it is unnecessary with more sophisticated Adobe applications such as recent versions of Illustrator®, Photoshop® or InDesign®.

One should not, however, select a base font which has no style-linked variant, and then use the bold or italic styling button. Doing so will either have no effect, or result in programmatic bolding or slanting of the base font, which will usually produce inferior screen and print results.

Optical Sizes

Typefaces with optical size variants have had their designs subtly adjusted for use at specific point size ranges.

Please see Adobe Type - Optical Sizes for a current discussion of the uses of optical sizes.

This capability reintroduces one of the features of hand-cut metal type, which uses a separate font for each point size and is often optically adjusted. This is an advantage over the current common practice of scaling a single digital type design to different point sizes, which may reduce legibility at smaller sizes or sacrifice subtlety at larger sizes. The objective of optical sizing is to maintain the integrity and legibility of the underlying typeface design throughout a range of point sizes. The adjustments typically made to the design to optimize it for different sizes are: for larger point sizes, the space between characters (letter fit) tightens, the space within characters (counterforms) closes up (i.e., the letters are slightly more condensed), the serifs become finer and the stroke contrast becomes greater, the overall weight becomes lighter, and the x-height gradually diminishes; for smaller point sizes, opposite adjustments are made. Smaller optical sizes are also useful when output resolution is very limited, such as for on-screen display. One might choose to use a smaller optical size design for creating text on buttons for a Web page, for example. These adjustments can improve the legibility of intermediate point sizes further if there is a greater change in design at smaller sizes than at larger sizes. For example, the difference in design between Caption and Regular optical sizes, which usually have a difference in intended usage size of only 4-8 points, is often almost as much as the difference between the regular and display sizes, which have a usually difference of 10-60 points.

Although any of the fonts may be used at any size, the intended point sizes for the designs of this family are:

1. Caption: from 6.0 to 9.4 points
2. Body Text: from 9.4 to 14.0 points
3. Subhead: from 14.0 to 21.0 points
4. Light: from 21.0 to 72.0 points

Patent Notices

D477,630

• BriosoPro-Bold
• BriosoPro-BoldCapt
• BriosoPro-BoldDisp
• BriosoPro-BoldIt
• BriosoPro-BoldItCapt
• BriosoPro-BoldItDisp
• BriosoPro-BoldItSubh
• BriosoPro-BoldSubh
• BriosoPro-Capt
• BriosoPro-Disp
• BriosoPro-ItCapt
• BriosoPro-ItDisp
• BriosoPro-ItSubh
• BriosoPro-Italic
• BriosoPro-Light
• BriosoPro-LightCapt
• BriosoPro-LightDisp
• BriosoPro-LightIt
• BriosoPro-LightItCapt
• BriosoPro-LightItDisp
• BriosoPro-LightItSubh
• BriosoPro-LightPoster
• BriosoPro-LightPosterIt
• BriosoPro-LightSubh
• BriosoPro-Medium
• BriosoPro-MediumCapt
• BriosoPro-MediumDisp
• BriosoPro-MediumIt
• BriosoPro-MediumItCapt
• BriosoPro-MediumItDisp
• BriosoPro-MediumItSubh
• BriosoPro-MediumSubh
• BriosoPro-Regular
• BriosoPro-Semibold
• BriosoPro-SemiboldCapt
• BriosoPro-SemiboldDisp
• BriosoPro-SemiboldIt
• BriosoPro-SemiboldItCapt
• BriosoPro-SemiboldItDisp
• BriosoPro-SemiboldItSubh
• BriosoPro-SemiboldSubh
• BriosoPro-Subh

For all fonts of family Brioso Pro: version 2.040 created on Thu Aug 16 20:27:26 2007.

version 2.040 created 2007/08/16

• Release for FontFolio 11
• Removed majuscule substitutions from 'ordn'.
• Removed substitutions from majuscule letters to minuscle, superior letters.
• Added legacy superior numbers.
• Added glyphs: onesuperior, twosuperior, threesuperior as duplicates of one.superior, two.superior, three.superior.
• Added legacy f-ligature characters.
• Added glyphs: fi as duplicate of f_i; fl as duplicate of f_l.
• Add new glyphs to appropriate kern classes.
• Removed Turkish language lookup from 'liga' feature.
• Font character set does not support Turkish, so language exceptions for ligatures are not necessary.
• Also, Turkish language feature coverage was not properly specified anyway.
• Added support for spaces in arbitrary fractions.
• Added glyphs: space.frac, nbspace.frac as new, thin space to harmonize with fraction numerals.
• Added glyph: slash.frac as duplicate of fraction.
• Added support for punctuation in arbitrary fractions.
• Added substitutions and contextual rules to 'frac' feature for existing small punctuation: period, comma, dollar, cent, hyphen, parenleft, parenright.
• Removed 'percent' and 'perthousand' from arbitrary fraction substitutions in 'frac' feature.
• The inclusion of the characters 'percent' and 'perthousand' among arbitrary fraction substitutions in a 'frac' feature was disruptive in that these glyphs often do not match other fraction numerals.
• Added small cap alternate for dotlessi.
• Added glyph: dotlessi.sc as duplicate of i.sc.
• Added dotlessi substitution to 'smcp' feature.
• Substitute dotlessi by dotlessi.sc.
• Added glyphs: "fi.sc" and "fl.sc".
• Added glyph "germandbls.sc".
• Added glyphs "uni021A.sc" (Tcedilla.sc) and "uni021B.sc" (tcedilla.sc).
• Changed smallcap "uni" names to AGL names.
• Changed four glyph names from "uni" names to "friendly" AGL names: uni015E.sc --> Scedilla.sc; uni0218.sc --> Scommaaccent.sc; uni015F.sc --> scedilla.sc; uni0219.sc --> scommaaccent.sc.
• Added glyph "uni0237.sc" (smallcap dotlessj).
• Added 'calt' to 'aalt' feature.
• Added contextual alternates feature ('calt') to the feature list of the "all alternates" feature ('aalt').
• Changed name of uni2014.alt to emdash.alt.
• Changed ornament glyph names.
• Glyphs which had a base name of 'orn' were changed to a base name of 'bullet' to ensure proper name-to-character mapping.
• Added glyph "i.dot".
• Added glyph "i.dot" as duplicate of glyph "i". Added 'locl' feature to substitute "i.dot" for "i" in certain languages (e.g. Turkish). Added 'locl' feature to 'aalt' feature list.
• Renamed litre glyph "afii61289" to "uni2113".
• Changed "uni" names to AGL names.
• Changed four glyph names from "uni" names to "friendly" AGL names: uni015E --> Scedilla; uni0218 --> Scommaaccent; uni015F --> scedilla; uni0219 --> scommaaccent.
• Changed name of glyph "afii61352" (numero) to "uni2116".
• Changed name of glyph "idotaccent.sc" to "i.dotsc".
• Changed feature order to enable stylistic alternates.
• Because of the order of feature instructions, certain smallcap alternates were not accessible via the stylistic alternates ('salt') feature. Feature order was changed to correct this.
• Added missing lowercase substitutions to small caps ('smcp') feature.
• Added missing substitutions to small cap glyphs: fi, fl, germandbls, dotlessi, uni0237 (dotlessj), i.dot, tcedilla.
• Renamed glyph "j.dotless" to "uni0237" (dotless j). Mapped glyph to U+0237.
• Updated legal notices (trademark, copyright, and patent) for accuracy. Amended, changed and deleted as necessary. Ensured 'Notice' field in CFF fontinfo dictionary is the union of copyright and trademark notices in OTF 'name' table.
• Added uni2010 (hyphen2).
• Added 'size' feature containing a design size value.
• Add default language system.
• OpenType language system coverage for script 'dflt' and language 'DFLT' was added.

version 1.008 created 2003/04/21

• First release as OpenType.

• Some glyphs in the font cannot be accessed unless you are using an OpenType-savvy application.

Customer Service
Adobe Customer Service provides assistance with product information, sales, registration, and other non-technical issues. To find out how to contact Adobe Customer Service, please visit Adobe.com for your region or country and click on Contact.

Support Plan Options and Technical Resources
If you require technical assistance for your product, including information on free and paid support options and troubleshooting resources, more information is available at http://www.adobe.com/go/support/. Outside of North America, go to http://www.adobe.com/go/intlsupport/. Free troubleshooting resources include Adobe’s support knowledgebase, Adobe user-to-user forums and more.

Online Resources
Adobe Type Showroom
Adobe Type Showroom - all current Read-Me files for our font families
User Forums